Catherine Flon \u2014 Ewo Ayiti Digital Museum<\/title>\n<meta name=\"description\" content=\"La m\u00e9moire nationale ha\u00eftienne retient Catherine Flon comme la femme qui assembla les couleurs r\u00e9volutionnaires. Elle incarne la puissance du savoir-faire, de l\u2019unit\u00e9 et de la participation des femmes \u00e0 la lutte pour l\u2019ind\u00e9pendance.\">\n<meta property=\"og:title\" content=\"Catherine Flon \u2014 Ewo Ayiti Digital Museum\">\n<meta property=\"og:description\" content=\"La m\u00e9moire nationale ha\u00eftienne retient Catherine Flon comme la femme qui assembla les couleurs r\u00e9volutionnaires. 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24px;background:linear-gradient(180deg,#720009,#220003)}\n.eacf-footer h2{margin:0;color:#fff;font-family:Georgia,serif;font-size:42px}\n.eacf-footer p{max-width:720px;margin:17px auto 26px;color:#eee;line-height:1.7}\n.eacf-footer .eacf-actions{justify-content:center}\n@media(max-width:1040px){.eacf-timeline{grid-template-columns:repeat(2,1fr)}.eacf-evidence{grid-template-columns:repeat(2,1fr)}}\n@media(max-width:900px){.eacf-hero:before{background:\n linear-gradient(180deg,rgba(0,0,0,.30) 0%,rgba(0,0,0,.55) 46%,rgba(0,0,0,.95) 78%),\n url('https:\/\/ewoayiti.com\/wp-content\/uploads\/2026\/07\/catherine-flon-sewing-haiti-flag.png') 54% 25%\/cover no-repeat}.eacf-hero{align-items:flex-end;min-height:830px}.eacf-hero-copy{padding:380px 0 58px;text-align:center}.eacf-meta{grid-template-columns:repeat(2,1fr)}.eacf-intro,.eacf-artifact{grid-template-columns:1fr}.eacf-grid3{grid-template-columns:1fr}}\n@media(max-width:680px){.eacf-shell{padding:0 17px}.eacf-section{padding:56px 0}.eacf-hero{min-height:760px}.eacf-hero-copy{padding:340px 0 48px;text-align:center}.eacf-hero h1{font-size:52px}.eacf-meta,.eacf-facts,.eacf-evidence,.eacf-timeline,.eacf-related{grid-template-columns:1fr}.eacf-artifact-media img{aspect-ratio:4\/5}.eacf-footer h2{font-size:34px}}\n<\/style>\n\n<\/head>\n<body style=\"margin:0\">\n<main id=\"ea-cf-v2\">\n<section class=\"eacf-hero\" id=\"top\"><div class=\"eacf-shell\"><div class=\"eacf-hero-copy\">\n<p class=\"eacf-kicker\">Ewo Ayiti Digital Museum \u00b7 Salle des H\u00e9ros<\/p><h1>Catherine Flon<\/h1><div class=\"eacf-rule\"><\/div>\n<p class=\"eacf-titleline\">Couturi\u00e8re d\u2019un symbole national<\/p><p class=\"eacf-deck\">La m\u00e9moire nationale ha\u00eftienne retient Catherine Flon comme la femme qui assembla les couleurs r\u00e9volutionnaires. Elle incarne la puissance du savoir-faire, de l\u2019unit\u00e9 et de la participation des femmes \u00e0 la lutte pour l\u2019ind\u00e9pendance.<\/p>\n<div class=\"eacf-dates\"><span><b>\u25f7<\/b> \u00c9poque r\u00e9volutionnaire \u00b7 1803<\/span><span><b>\u2316<\/b> Saint-Domingue \/ Ha\u00efti<\/span><\/div>\n<div class=\"eacf-actions\"><a class=\"eacf-btn primary\" href=\"#introduction\">Commencer l\u2019exposition<\/a><a class=\"eacf-btn secondary\" href=\"\/hall-of-heroes\/\">Retour \u00e0 la Salle des H\u00e9ros<\/a><\/div>\n<\/div><\/div><\/section>\n\n<section class=\"eacf-meta\">\n<div><span>Exposition officielle<\/span><strong>EA-HH-003<\/strong><\/div>\n<div><span>Classification<\/span><strong>Femme fondatrice<\/strong><\/div>\n<div><span>Collection<\/span><strong>Salle des H\u00e9ros<\/strong><\/div>\n<div><span>Institution<\/span><strong>Ewo Ayiti Digital Museum<\/strong><\/div>\n<\/section>\n\n<section class=\"eacf-section light\" id=\"introduction\"><div class=\"eacf-shell\">\n<div class=\"eacf-head\"><p class=\"eacf-kicker\">Introduction du commissariat<\/p><h2>Une aiguille, un drapeau et la construction de la m\u00e9moire nationale<\/h2><div class=\"eacf-rule\"><\/div><\/div>\n<div class=\"eacf-intro\"><article class=\"eacf-panel\"><p>Catherine Flon occupe une place r\u00e9v\u00e9r\u00e9e dans la m\u00e9moire ha\u00eftienne. Selon la tradition nationale, elle aurait cousu ensemble les couleurs r\u00e9volutionnaires associ\u00e9es \u00e0 la rupture avec l\u2019ordre colonial fran\u00e7ais. Qu\u2019on l\u2019aborde comme biographie document\u00e9e, tradition patriotique ou histoire symbolique, son r\u00e9cit montre comment des gestes mat\u00e9riels\u2014couper, joindre et coudre une \u00e9toffe\u2014peuvent devenir une composante de l\u2019identit\u00e9 politique d\u2019un peuple.<\/p><\/article>\n<aside class=\"eacf-atglance\"><h3>En un coup d\u2019\u0153il<\/h3><div class=\"eacf-facts\">\n<div class=\"eacf-fact\"><span>R\u00f4le<\/span><strong>Couturi\u00e8re \u00b7 Symbole r\u00e9volutionnaire<\/strong><\/div>\n<div class=\"eacf-fact\"><span>Connue pour<\/span><strong>Traditionnellement associ\u00e9e \u00e0 la couture du drapeau r\u00e9volutionnaire<\/strong><\/div>\n<div class=\"eacf-fact\"><span>P\u00e9riode<\/span><strong>R\u00e9volution ha\u00eftienne, 1791\u20131804<\/strong><\/div>\n<div class=\"eacf-fact\"><span>H\u00e9ritage<\/span><strong>Unit\u00e9, courage, m\u00e9moire historique des femmes<\/strong><\/div>\n<\/div><\/aside><\/div><\/div><\/section>\n\n<section class=\"eacf-section dark\"><div class=\"eacf-shell\">\n<div class=\"eacf-head\"><p class=\"eacf-kicker\">Contexte historique<\/p><h2>Les symboles dans une r\u00e9volution contre l\u2019esclavage et l\u2019empire<\/h2><div class=\"eacf-rule\"><\/div><\/div>\n<div class=\"eacf-grid3\">\n<article class=\"eacf-card\"><h3>R\u00e9volution et ind\u00e9pendance<\/h3><p>La R\u00e9volution ha\u00eftienne transforma la colonie fran\u00e7aise de Saint-Domingue au cours d\u2019une longue lutte contre l\u2019esclavage, la domination coloniale et les tentatives de r\u00e9tablissement de l\u2019ancien ordre. L\u2019ind\u00e9pendance fut proclam\u00e9e le 1er janvier 1804.<\/p><\/article>\n<article class=\"eacf-card\"><h3>La tradition du drapeau<\/h3><p>La tradition nationale ha\u00eftienne relie la cr\u00e9ation d\u2019une banni\u00e8re r\u00e9volutionnaire \u00e0 Jean-Jacques Dessalines et \u00e0 Catherine Flon. Le r\u00e9cit bien connu d\u00e9crit Flon cousant les couleurs apr\u00e8s le retrait de la bande blanche du drapeau tricolore fran\u00e7ais.<\/p><\/article>\n<article class=\"eacf-card\"><h3>La participation des femmes<\/h3><p>Les femmes servirent le mouvement r\u00e9volutionnaire \u00e0 de nombreux titres : combattantes, organisatrices, infirmi\u00e8res, messag\u00e8res, travailleuses agricoles, soignantes et gardiennes de la m\u00e9moire communautaire. La comm\u00e9moration de Flon s\u2019inscrit dans cette histoire plus large.<\/p><\/article>\n<\/div><\/div><\/section>\n\n<section class=\"eacf-section dark\"><div class=\"eacf-shell\">\n<div class=\"eacf-head\"><p class=\"eacf-kicker\">Chronologie<\/p><h2>Catherine Flon dans l\u2019histoire et la m\u00e9moire<\/h2><div class=\"eacf-rule\"><\/div><\/div>\n<div class=\"eacf-timeline\"><article class=\"eacf-time\"><strong>Fin du XVIIIe s.<\/strong><p>Sa jeunesse est peu document\u00e9e; la tradition ult\u00e9rieure la situe dans le Saint-Domingue r\u00e9volutionnaire.<\/p><\/article><article class=\"eacf-time\"><strong>1791<\/strong><p>D\u00e9but de l\u2019insurrection qui devient la R\u00e9volution ha\u00eftienne.<\/p><\/article><article class=\"eacf-time\"><strong>1803<\/strong><p>La tradition nationale associe Flon \u00e0 la couture d\u2019un drapeau r\u00e9volutionnaire pendant la lutte finale pour l\u2019ind\u00e9pendance.<\/p><\/article><article class=\"eacf-time\"><strong>1804<\/strong><p>Ha\u00efti proclame son ind\u00e9pendance le 1er janvier.<\/p><\/article><article class=\"eacf-time\"><strong>Post\u00e9rit\u00e9<\/strong><p>Son image entre dans l\u2019\u00e9ducation civique, la comm\u00e9moration publique, l\u2019art, les timbres, la monnaie et la m\u00e9moire de la F\u00eate du Drapeau.<\/p><\/article><\/div><\/div><\/section>\n\n<section class=\"eacf-section dark\"><div class=\"eacf-shell\"><div class=\"eacf-artifact\">\n<figure class=\"eacf-artifact-media\"><img decoding=\"async\" data-src=\"https:\/\/ewoayiti.com\/wp-content\/uploads\/2026\/07\/catherine-flon-sewing-haiti-flag.png\" alt=\"Catherine Flon cousant les couleurs r\u00e9volutionnaires\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 1254px; --smush-placeholder-aspect-ratio: 1254\/1254;\"><figcaption>Illustration interpr\u00e9tative command\u00e9e par le mus\u00e9e repr\u00e9sentant Catherine Flon cousant les couleurs r\u00e9volutionnaires. Il ne s\u2019agit ni d\u2019un portrait contemporain ni d\u2019une reconstitution documentaire.<\/figcaption><\/figure>\n<article class=\"eacf-artifact-copy\"><p class=\"eacf-kicker\">Interpr\u00e9tation visuelle principale<\/p><h2>Catherine Flon cousant les couleurs r\u00e9volutionnaires<\/h2><div class=\"eacf-rule\"><\/div>\n<p>Cette nouvelle illustration command\u00e9e par le mus\u00e9e montre Flon concentr\u00e9e sur le travail concret de la couture. L\u2019aiguille, le fil, l\u2019\u00e9toffe, la lampe et l\u2019espace domestique d\u00e9placent l\u2019attention du spectacle vers le travail qualifi\u00e9. Sa posture attentive souligne la r\u00e9flexion, la discipline et la d\u00e9termination.<\/p><p>La palette noire et rouge suit le langage visuel r\u00e9volutionnaire de l\u2019Ewo Ayiti Digital Museum. L\u2019\u0153uvre doit \u00eatre comprise comme une interpr\u00e9tation mus\u00e9ale, et non comme une reconstitution attest\u00e9e du drapeau, de la pi\u00e8ce, des v\u00eatements ou du moment exact.<\/p><div class=\"eacf-note\">Note curatoriale : la date exacte, le lieu, la disposition du drapeau et plusieurs \u00e9l\u00e9ments biographiques du r\u00e9cit traditionnel ne sont pas enti\u00e8rement \u00e9tablis par les sources contemporaines conserv\u00e9es. L\u2019exposition distingue la m\u00e9moire nationale de la certitude archivistique.<\/div><\/article>\n<\/div><\/div><\/section>\n\n<section class=\"eacf-section light\"><div class=\"eacf-shell\">\n<div class=\"eacf-head\"><p class=\"eacf-kicker\">Cadre des preuves<\/p><h2>Ce qui est document\u00e9, transmis et interpr\u00e9t\u00e9<\/h2><div class=\"eacf-rule\"><\/div><\/div>\n<div class=\"eacf-evidence\"><article class=\"eacf-level\"><b>NIVEAU A<\/b><h3>Sources primaires<\/h3><p>La lutte r\u00e9volutionnaire d\u2019Ha\u00efti et l\u2019ind\u00e9pendance de 1804 sont document\u00e9es par des proclamations contemporaines, des archives militaires, des correspondances et des documents d\u2019\u00c9tat ult\u00e9rieurs.<\/p><\/article><article class=\"eacf-level\"><b>NIVEAU B<\/b><h3>Tradition publique \u00e9tablie<\/h3><p>Les comm\u00e9morations officielles ha\u00eftiennes et les r\u00e9cits nationaux de longue dur\u00e9e associent constamment Catherine Flon \u00e0 la couture du drapeau.<\/p><\/article><article class=\"eacf-level\"><b>NIVEAU C<\/b><h3>Plausible mais d\u00e9battu<\/h3><p>Les circonstances pr\u00e9cises\u2014date, lieu, relation avec Dessalines et d\u00e9tails de l\u2019\u00e9pisode\u2014restent discut\u00e9es ou faiblement document\u00e9es.<\/p><\/article><article class=\"eacf-level\"><b>NIVEAU D<\/b><h3>L\u00e9gende et symbolisme<\/h3><p>Les d\u00e9tails artistiques ult\u00e9rieurs, les dialogues, les v\u00eatements, les d\u00e9cors et les citations inspirantes appartiennent \u00e0 la comm\u00e9moration plut\u00f4t qu\u2019\u00e0 la biographie v\u00e9rifi\u00e9e.<\/p><\/article><\/div><\/div><\/section>\n\n<section class=\"eacf-section red\"><div class=\"eacf-shell\">\n<blockquote class=\"eacf-quote\">Son h\u00e9ritage ne r\u00e9side pas seulement dans l\u2019\u00e9toffe qu\u2019elle aurait assembl\u00e9e, mais dans l\u2019unit\u00e9 que des g\u00e9n\u00e9rations d\u2019Ha\u00eftiens ont reconnue dans ce geste.<small>Interpr\u00e9tation curatoriale de l\u2019Ewo Ayiti Digital Museum<\/small><\/blockquote>\n<\/div><\/section>\n\n<section class=\"eacf-section dark\"><div class=\"eacf-shell\">\n<div class=\"eacf-head\"><p class=\"eacf-kicker\">H\u00e9ritage<\/p><h2>La force durable d\u2019un symbole national<\/h2><div class=\"eacf-rule\"><\/div><p>La m\u00e9moire publique de Catherine Flon place le travail qualifi\u00e9 d\u2019une femme au centre de la cr\u00e9ation nationale. Son r\u00e9cit \u00e9largit l\u2019imaginaire historique au-del\u00e0 des g\u00e9n\u00e9raux et des champs de bataille. Il rappelle que les r\u00e9volutions reposent aussi sur la communication, les soins, les savoirs mat\u00e9riels, l\u2019organisation et les symboles capables de rassembler un peuple autour d\u2019un avenir commun.<\/p><\/div>\n<\/div><\/section>\n\n<section class=\"eacf-section dark\"><div class=\"eacf-shell\">\n<div class=\"eacf-head\"><p class=\"eacf-kicker\">Poursuivre l\u2019exploration<\/p><h2>H\u00e9ros associ\u00e9s<\/h2><div class=\"eacf-rule\"><\/div><\/div>\n<div class=\"eacf-related\"><a href=\"\/jean-jacques-dessalines\/\"><strong>Jean-Jacques Dessalines<\/strong><span>Fondateur de l\u2019Ha\u00efti ind\u00e9pendante<\/span><\/a><a href=\"\/toussaint-louverture-2\/\"><strong>Toussaint Louverture<\/strong><span>Dirigeant et strat\u00e8ge r\u00e9volutionnaire<\/span><\/a><a href=\"#\" class=\"eacf-coming\" data-status=\"Exposition en pr\u00e9paration\" aria-disabled=\"true\"><strong>Sanit\u00e9 B\u00e9lair<\/strong><span>Offici\u00e8re r\u00e9volutionnaire et femme de l\u2019Ind\u00e9pendance<\/span><\/a><\/div><\/div><\/section>\n\n<section class=\"eacf-section light\"><div class=\"eacf-shell\">\n<div class=\"eacf-head\"><p class=\"eacf-kicker\">Lectures compl\u00e9mentaires et orientation documentaire<\/p><h2>R\u00e9f\u00e9rences s\u00e9lectionn\u00e9es<\/h2><div class=\"eacf-rule\"><\/div><\/div>\n<ol class=\"eacf-sources\"><li><em>Ambassade d\u2019Ha\u00efti<\/em>, \u00ab Flag and Coat of Arms \u00bb et comm\u00e9morations officielles de la F\u00eate du Drapeau.<\/li><li>N. L. Willson, \u00ab Unmaking the Tricolore: Catherine Flon, Material Memory and the Haitian Flag \u00bb, \u00e9tude savante du r\u00e9cit du drapeau et de sa m\u00e9moire.<\/li><li><em>Enslaved: Peoples of the Historical Slave Trade<\/em>, notice biographique consacr\u00e9e \u00e0 Catherine Flon.<\/li><li>David Geggus, <em>The Haitian Revolution: A Documentary History<\/em>, pour le contexte documentaire g\u00e9n\u00e9ral de la R\u00e9volution.<\/li><li>Carolyn Fick, <em>The Making of Haiti<\/em>, pour l\u2019histoire sociale et r\u00e9volutionnaire de Saint-Domingue.<\/li><\/ol><\/div><\/section>\n\n<footer class=\"eacf-footer\"><p class=\"eacf-kicker\">Ewo Ayiti Digital Museum<\/p><h2>Continuer le parcours<\/h2>\n<p>Retournez \u00e0 la Salle des H\u00e9ros ou poursuivez votre exploration de l\u2019histoire r\u00e9volutionnaire et du patrimoine culturel d\u2019Ha\u00efti.<\/p><div class=\"eacf-actions\"><a class=\"eacf-btn primary\" href=\"\/hall-of-heroes\/\">Retour \u00e0 la Salle des H\u00e9ros<\/a>\n<a class=\"eacf-btn secondary\" href=\"\/heritage-collection\/\">Visiter la Collection du patrimoine<\/a><a class=\"eacf-btn secondary\" href=\"#top\">Retour en haut<\/a><\/div><\/footer>\n<\/main>\n<\/body><\/html>\n\n\n<style>\n#ea-cf-v2 .eacf-related a[data-ea-hero=\"sanite-belair\"]{\n pointer-events:auto!important;\n cursor:pointer!important;\n opacity:1!important;\n border-style:solid!important;\n}\n#ea-cf-v2 .eacf-related a[data-ea-hero=\"sanite-belair\"]::after{\n content:none!important;\n display:none!important;\n}\n<\/style>\n\n<script>\n(function(){\n function normalize(value){\n return (value || \"\")\n .toLowerCase()\n .normalize(\"NFD\")\n .replace(\/[\\u0300-\\u036f]\/g,\"\")\n .replace(\/\\s+\/g,\" \")\n .trim();\n }\n\n function repairSaniteBelairLink(){\n document.querySelectorAll(\"#ea-cf-v2 .eacf-related a\").forEach(function(link){\n var label = normalize(link.textContent);\n if(label.indexOf(\"sanite belair\") !== -1){\n link.href = \"\/sanite-belair\/\";\n link.setAttribute(\"data-ea-hero\",\"sanite-belair\");\n link.removeAttribute(\"aria-disabled\");\n link.removeAttribute(\"data-status\");\n link.classList.remove(\"eacf-coming\");\n link.style.pointerEvents = \"auto\";\n link.style.cursor = \"pointer\";\n link.style.opacity = \"1\";\n }\n });\n }\n\n if(document.readyState === \"loading\"){\n document.addEventListener(\"DOMContentLoaded\", repairSaniteBelairLink);\n } else {\n repairSaniteBelairLink();\n }\n})();\n<\/script>\t\t\t\t<\/div>\n\t\t\n<\/div>\n\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Catherine Flon \u2014 Ewo Ayiti Digital Museum Ewo Ayiti Digital Museum \u00b7 Salle des H\u00e9ros Catherine Flon Couturi\u00e8re d\u2019un symbole national La m\u00e9moire nationale ha\u00eftienne retient Catherine Flon comme la femme qui assembla les couleurs r\u00e9volutionnaires. Elle incarne la puissance du savoir-faire, de l\u2019unit\u00e9 et de la participation des femmes \u00e0 la lutte pour l\u2019ind\u00e9pendance. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1659","page","type-page","status-publish","hentry"],"yoast_head":"\n<title>catherine flon - Ewo Ayiti<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ewoayiti.com\/fr\/catherine-flon-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"catherine flon - Ewo Ayiti\" \/>\n<meta property=\"og:description\" content=\"Catherine Flon \u2014 Ewo Ayiti Digital Museum Ewo Ayiti Digital Museum \u00b7 Salle des H\u00e9ros Catherine Flon Couturi\u00e8re d\u2019un symbole national La m\u00e9moire nationale ha\u00eftienne retient Catherine Flon comme la femme qui assembla les couleurs r\u00e9volutionnaires. Elle incarne la puissance du savoir-faire, de l\u2019unit\u00e9 et de la participation des femmes \u00e0 la lutte pour l\u2019ind\u00e9pendance. 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Elle incarne la puissance du savoir-faire, de l\u2019unit\u00e9 et de la participation des femmes \u00e0 la lutte pour l\u2019ind\u00e9pendance. 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24px;background:linear-gradient(180deg,#720009,#220003)}\n.eacf-footer h2{margin:0;color:#fff;font-family:Georgia,serif;font-size:42px}\n.eacf-footer p{max-width:720px;margin:17px auto 26px;color:#eee;line-height:1.7}\n.eacf-footer .eacf-actions{justify-content:center}\n@media(max-width:1040px){.eacf-timeline{grid-template-columns:repeat(2,1fr)}.eacf-evidence{grid-template-columns:repeat(2,1fr)}}\n@media(max-width:900px){.eacf-hero:before{background:\n linear-gradient(180deg,rgba(0,0,0,.30) 0%,rgba(0,0,0,.55) 46%,rgba(0,0,0,.95) 78%),\n url('https:\/\/ewoayiti.com\/wp-content\/uploads\/2026\/07\/catherine-flon-sewing-haiti-flag.png') 54% 25%\/cover no-repeat}.eacf-hero{align-items:flex-end;min-height:830px}.eacf-hero-copy{padding:380px 0 58px;text-align:center}.eacf-meta{grid-template-columns:repeat(2,1fr)}.eacf-intro,.eacf-artifact{grid-template-columns:1fr}.eacf-grid3{grid-template-columns:1fr}}\n@media(max-width:680px){.eacf-shell{padding:0 17px}.eacf-section{padding:56px 0}.eacf-hero{min-height:760px}.eacf-hero-copy{padding:340px 0 48px;text-align:center}.eacf-hero h1{font-size:52px}.eacf-meta,.eacf-facts,.eacf-evidence,.eacf-timeline,.eacf-related{grid-template-columns:1fr}.eacf-artifact-media img{aspect-ratio:4\/5}.eacf-footer h2{font-size:34px}}\n<\/style>\n\n<\/head>\n<body style=\"margin:0\">\n<main id=\"ea-cf-v2\">\n<section class=\"eacf-hero\" id=\"top\"><div class=\"eacf-shell\"><div class=\"eacf-hero-copy\">\n<p class=\"eacf-kicker\">Ewo Ayiti Digital Museum \u00b7 Salle des H\u00e9ros<\/p><h1>Catherine Flon<\/h1><div class=\"eacf-rule\"><\/div>\n<p class=\"eacf-titleline\">Couturi\u00e8re d\u2019un symbole national<\/p><p class=\"eacf-deck\">La m\u00e9moire nationale ha\u00eftienne retient Catherine Flon comme la femme qui assembla les couleurs r\u00e9volutionnaires. Elle incarne la puissance du savoir-faire, de l\u2019unit\u00e9 et de la participation des femmes \u00e0 la lutte pour l\u2019ind\u00e9pendance.<\/p>\n<div class=\"eacf-dates\"><span><b>\u25f7<\/b> \u00c9poque r\u00e9volutionnaire \u00b7 1803<\/span><span><b>\u2316<\/b> Saint-Domingue \/ Ha\u00efti<\/span><\/div>\n<div class=\"eacf-actions\"><a class=\"eacf-btn primary\" href=\"#introduction\">Commencer l\u2019exposition<\/a><a class=\"eacf-btn secondary\" href=\"\/hall-of-heroes\/\">Retour \u00e0 la Salle des H\u00e9ros<\/a><\/div>\n<\/div><\/div><\/section>\n\n<section class=\"eacf-meta\">\n<div><span>Exposition officielle<\/span><strong>EA-HH-003<\/strong><\/div>\n<div><span>Classification<\/span><strong>Femme fondatrice<\/strong><\/div>\n<div><span>Collection<\/span><strong>Salle des H\u00e9ros<\/strong><\/div>\n<div><span>Institution<\/span><strong>Ewo Ayiti Digital Museum<\/strong><\/div>\n<\/section>\n\n<section class=\"eacf-section light\" id=\"introduction\"><div class=\"eacf-shell\">\n<div class=\"eacf-head\"><p class=\"eacf-kicker\">Introduction du commissariat<\/p><h2>Une aiguille, un drapeau et la construction de la m\u00e9moire nationale<\/h2><div class=\"eacf-rule\"><\/div><\/div>\n<div class=\"eacf-intro\"><article class=\"eacf-panel\"><p>Catherine Flon occupe une place r\u00e9v\u00e9r\u00e9e dans la m\u00e9moire ha\u00eftienne. Selon la tradition nationale, elle aurait cousu ensemble les couleurs r\u00e9volutionnaires associ\u00e9es \u00e0 la rupture avec l\u2019ordre colonial fran\u00e7ais. Qu\u2019on l\u2019aborde comme biographie document\u00e9e, tradition patriotique ou histoire symbolique, son r\u00e9cit montre comment des gestes mat\u00e9riels\u2014couper, joindre et coudre une \u00e9toffe\u2014peuvent devenir une composante de l\u2019identit\u00e9 politique d\u2019un peuple.<\/p><\/article>\n<aside class=\"eacf-atglance\"><h3>En un coup d\u2019\u0153il<\/h3><div class=\"eacf-facts\">\n<div class=\"eacf-fact\"><span>R\u00f4le<\/span><strong>Couturi\u00e8re \u00b7 Symbole r\u00e9volutionnaire<\/strong><\/div>\n<div class=\"eacf-fact\"><span>Connue pour<\/span><strong>Traditionnellement associ\u00e9e \u00e0 la couture du drapeau r\u00e9volutionnaire<\/strong><\/div>\n<div class=\"eacf-fact\"><span>P\u00e9riode<\/span><strong>R\u00e9volution ha\u00eftienne, 1791\u20131804<\/strong><\/div>\n<div class=\"eacf-fact\"><span>H\u00e9ritage<\/span><strong>Unit\u00e9, courage, m\u00e9moire historique des femmes<\/strong><\/div>\n<\/div><\/aside><\/div><\/div><\/section>\n\n<section class=\"eacf-section dark\"><div class=\"eacf-shell\">\n<div class=\"eacf-head\"><p class=\"eacf-kicker\">Contexte historique<\/p><h2>Les symboles dans une r\u00e9volution contre l\u2019esclavage et l\u2019empire<\/h2><div class=\"eacf-rule\"><\/div><\/div>\n<div class=\"eacf-grid3\">\n<article class=\"eacf-card\"><h3>R\u00e9volution et ind\u00e9pendance<\/h3><p>La R\u00e9volution ha\u00eftienne transforma la colonie fran\u00e7aise de Saint-Domingue au cours d\u2019une longue lutte contre l\u2019esclavage, la domination coloniale et les tentatives de r\u00e9tablissement de l\u2019ancien ordre. L\u2019ind\u00e9pendance fut proclam\u00e9e le 1er janvier 1804.<\/p><\/article>\n<article class=\"eacf-card\"><h3>La tradition du drapeau<\/h3><p>La tradition nationale ha\u00eftienne relie la cr\u00e9ation d\u2019une banni\u00e8re r\u00e9volutionnaire \u00e0 Jean-Jacques Dessalines et \u00e0 Catherine Flon. Le r\u00e9cit bien connu d\u00e9crit Flon cousant les couleurs apr\u00e8s le retrait de la bande blanche du drapeau tricolore fran\u00e7ais.<\/p><\/article>\n<article class=\"eacf-card\"><h3>La participation des femmes<\/h3><p>Les femmes servirent le mouvement r\u00e9volutionnaire \u00e0 de nombreux titres : combattantes, organisatrices, infirmi\u00e8res, messag\u00e8res, travailleuses agricoles, soignantes et gardiennes de la m\u00e9moire communautaire. La comm\u00e9moration de Flon s\u2019inscrit dans cette histoire plus large.<\/p><\/article>\n<\/div><\/div><\/section>\n\n<section class=\"eacf-section dark\"><div class=\"eacf-shell\">\n<div class=\"eacf-head\"><p class=\"eacf-kicker\">Chronologie<\/p><h2>Catherine Flon dans l\u2019histoire et la m\u00e9moire<\/h2><div class=\"eacf-rule\"><\/div><\/div>\n<div class=\"eacf-timeline\"><article class=\"eacf-time\"><strong>Fin du XVIIIe s.<\/strong><p>Sa jeunesse est peu document\u00e9e; la tradition ult\u00e9rieure la situe dans le Saint-Domingue r\u00e9volutionnaire.<\/p><\/article><article class=\"eacf-time\"><strong>1791<\/strong><p>D\u00e9but de l\u2019insurrection qui devient la R\u00e9volution ha\u00eftienne.<\/p><\/article><article class=\"eacf-time\"><strong>1803<\/strong><p>La tradition nationale associe Flon \u00e0 la couture d\u2019un drapeau r\u00e9volutionnaire pendant la lutte finale pour l\u2019ind\u00e9pendance.<\/p><\/article><article class=\"eacf-time\"><strong>1804<\/strong><p>Ha\u00efti proclame son ind\u00e9pendance le 1er janvier.<\/p><\/article><article class=\"eacf-time\"><strong>Post\u00e9rit\u00e9<\/strong><p>Son image entre dans l\u2019\u00e9ducation civique, la comm\u00e9moration publique, l\u2019art, les timbres, la monnaie et la m\u00e9moire de la F\u00eate du Drapeau.<\/p><\/article><\/div><\/div><\/section>\n\n<section class=\"eacf-section dark\"><div class=\"eacf-shell\"><div class=\"eacf-artifact\">\n<figure class=\"eacf-artifact-media\"><img decoding=\"async\" data-src=\"https:\/\/ewoayiti.com\/wp-content\/uploads\/2026\/07\/catherine-flon-sewing-haiti-flag.png\" alt=\"Catherine Flon cousant les couleurs r\u00e9volutionnaires\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" class=\"lazyload\" style=\"--smush-placeholder-width: 1254px; --smush-placeholder-aspect-ratio: 1254\/1254;\"><figcaption>Illustration interpr\u00e9tative command\u00e9e par le mus\u00e9e repr\u00e9sentant Catherine Flon cousant les couleurs r\u00e9volutionnaires. Il ne s\u2019agit ni d\u2019un portrait contemporain ni d\u2019une reconstitution documentaire.<\/figcaption><\/figure>\n<article class=\"eacf-artifact-copy\"><p class=\"eacf-kicker\">Interpr\u00e9tation visuelle principale<\/p><h2>Catherine Flon cousant les couleurs r\u00e9volutionnaires<\/h2><div class=\"eacf-rule\"><\/div>\n<p>Cette nouvelle illustration command\u00e9e par le mus\u00e9e montre Flon concentr\u00e9e sur le travail concret de la couture. L\u2019aiguille, le fil, l\u2019\u00e9toffe, la lampe et l\u2019espace domestique d\u00e9placent l\u2019attention du spectacle vers le travail qualifi\u00e9. Sa posture attentive souligne la r\u00e9flexion, la discipline et la d\u00e9termination.<\/p><p>La palette noire et rouge suit le langage visuel r\u00e9volutionnaire de l\u2019Ewo Ayiti Digital Museum. L\u2019\u0153uvre doit \u00eatre comprise comme une interpr\u00e9tation mus\u00e9ale, et non comme une reconstitution attest\u00e9e du drapeau, de la pi\u00e8ce, des v\u00eatements ou du moment exact.<\/p><div class=\"eacf-note\">Note curatoriale : la date exacte, le lieu, la disposition du drapeau et plusieurs \u00e9l\u00e9ments biographiques du r\u00e9cit traditionnel ne sont pas enti\u00e8rement \u00e9tablis par les sources contemporaines conserv\u00e9es. L\u2019exposition distingue la m\u00e9moire nationale de la certitude archivistique.<\/div><\/article>\n<\/div><\/div><\/section>\n\n<section class=\"eacf-section light\"><div class=\"eacf-shell\">\n<div class=\"eacf-head\"><p class=\"eacf-kicker\">Cadre des preuves<\/p><h2>Ce qui est document\u00e9, transmis et interpr\u00e9t\u00e9<\/h2><div class=\"eacf-rule\"><\/div><\/div>\n<div class=\"eacf-evidence\"><article class=\"eacf-level\"><b>NIVEAU A<\/b><h3>Sources primaires<\/h3><p>La lutte r\u00e9volutionnaire d\u2019Ha\u00efti et l\u2019ind\u00e9pendance de 1804 sont document\u00e9es par des proclamations contemporaines, des archives militaires, des correspondances et des documents d\u2019\u00c9tat ult\u00e9rieurs.<\/p><\/article><article class=\"eacf-level\"><b>NIVEAU B<\/b><h3>Tradition publique \u00e9tablie<\/h3><p>Les comm\u00e9morations officielles ha\u00eftiennes et les r\u00e9cits nationaux de longue dur\u00e9e associent constamment Catherine Flon \u00e0 la couture du drapeau.<\/p><\/article><article class=\"eacf-level\"><b>NIVEAU C<\/b><h3>Plausible mais d\u00e9battu<\/h3><p>Les circonstances pr\u00e9cises\u2014date, lieu, relation avec Dessalines et d\u00e9tails de l\u2019\u00e9pisode\u2014restent discut\u00e9es ou faiblement document\u00e9es.<\/p><\/article><article class=\"eacf-level\"><b>NIVEAU D<\/b><h3>L\u00e9gende et symbolisme<\/h3><p>Les d\u00e9tails artistiques ult\u00e9rieurs, les dialogues, les v\u00eatements, les d\u00e9cors et les citations inspirantes appartiennent \u00e0 la comm\u00e9moration plut\u00f4t qu\u2019\u00e0 la biographie v\u00e9rifi\u00e9e.<\/p><\/article><\/div><\/div><\/section>\n\n<section class=\"eacf-section red\"><div class=\"eacf-shell\">\n<blockquote class=\"eacf-quote\">Son h\u00e9ritage ne r\u00e9side pas seulement dans l\u2019\u00e9toffe qu\u2019elle aurait assembl\u00e9e, mais dans l\u2019unit\u00e9 que des g\u00e9n\u00e9rations d\u2019Ha\u00eftiens ont reconnue dans ce geste.<small>Interpr\u00e9tation curatoriale de l\u2019Ewo Ayiti Digital Museum<\/small><\/blockquote>\n<\/div><\/section>\n\n<section class=\"eacf-section dark\"><div class=\"eacf-shell\">\n<div class=\"eacf-head\"><p class=\"eacf-kicker\">H\u00e9ritage<\/p><h2>La force durable d\u2019un symbole national<\/h2><div class=\"eacf-rule\"><\/div><p>La m\u00e9moire publique de Catherine Flon place le travail qualifi\u00e9 d\u2019une femme au centre de la cr\u00e9ation nationale. Son r\u00e9cit \u00e9largit l\u2019imaginaire historique au-del\u00e0 des g\u00e9n\u00e9raux et des champs de bataille. Il rappelle que les r\u00e9volutions reposent aussi sur la communication, les soins, les savoirs mat\u00e9riels, l\u2019organisation et les symboles capables de rassembler un peuple autour d\u2019un avenir commun.<\/p><\/div>\n<\/div><\/section>\n\n<section class=\"eacf-section dark\"><div class=\"eacf-shell\">\n<div class=\"eacf-head\"><p class=\"eacf-kicker\">Poursuivre l\u2019exploration<\/p><h2>H\u00e9ros associ\u00e9s<\/h2><div class=\"eacf-rule\"><\/div><\/div>\n<div class=\"eacf-related\"><a href=\"\/jean-jacques-dessalines\/\"><strong>Jean-Jacques Dessalines<\/strong><span>Fondateur de l\u2019Ha\u00efti ind\u00e9pendante<\/span><\/a><a href=\"\/toussaint-louverture-2\/\"><strong>Toussaint Louverture<\/strong><span>Dirigeant et strat\u00e8ge r\u00e9volutionnaire<\/span><\/a><a href=\"#\" class=\"eacf-coming\" data-status=\"Exposition en pr\u00e9paration\" aria-disabled=\"true\"><strong>Sanit\u00e9 B\u00e9lair<\/strong><span>Offici\u00e8re r\u00e9volutionnaire et femme de l\u2019Ind\u00e9pendance<\/span><\/a><\/div><\/div><\/section>\n\n<section class=\"eacf-section light\"><div class=\"eacf-shell\">\n<div class=\"eacf-head\"><p class=\"eacf-kicker\">Lectures compl\u00e9mentaires et orientation documentaire<\/p><h2>R\u00e9f\u00e9rences s\u00e9lectionn\u00e9es<\/h2><div class=\"eacf-rule\"><\/div><\/div>\n<ol class=\"eacf-sources\"><li><em>Ambassade d\u2019Ha\u00efti<\/em>, \u00ab Flag and Coat of Arms \u00bb et comm\u00e9morations officielles de la F\u00eate du Drapeau.<\/li><li>N. L. Willson, \u00ab Unmaking the Tricolore: Catherine Flon, Material Memory and the Haitian Flag \u00bb, \u00e9tude savante du r\u00e9cit du drapeau et de sa m\u00e9moire.<\/li><li><em>Enslaved: Peoples of the Historical Slave Trade<\/em>, notice biographique consacr\u00e9e \u00e0 Catherine Flon.<\/li><li>David Geggus, <em>The Haitian Revolution: A Documentary History<\/em>, pour le contexte documentaire g\u00e9n\u00e9ral de la R\u00e9volution.<\/li><li>Carolyn Fick, <em>The Making of Haiti<\/em>, pour l\u2019histoire sociale et r\u00e9volutionnaire de Saint-Domingue.<\/li><\/ol><\/div><\/section>\n\n<footer class=\"eacf-footer\"><p class=\"eacf-kicker\">Ewo Ayiti Digital Museum<\/p><h2>Continuer le parcours<\/h2>\n<p>Retournez \u00e0 la Salle des H\u00e9ros ou poursuivez votre exploration de l\u2019histoire r\u00e9volutionnaire et du patrimoine culturel d\u2019Ha\u00efti.<\/p><div class=\"eacf-actions\"><a class=\"eacf-btn primary\" href=\"\/hall-of-heroes\/\">Retour \u00e0 la Salle des H\u00e9ros<\/a>\n<a class=\"eacf-btn secondary\" href=\"\/heritage-collection\/\">Visiter la Collection du patrimoine<\/a><a class=\"eacf-btn secondary\" href=\"#top\">Retour en haut<\/a><\/div><\/footer>\n<\/main>\n<\/body><\/html>\n\n\n<style>\n#ea-cf-v2 .eacf-related a[data-ea-hero=\"sanite-belair\"]{\n pointer-events:auto!important;\n cursor:pointer!important;\n opacity:1!important;\n border-style:solid!important;\n}\n#ea-cf-v2 .eacf-related a[data-ea-hero=\"sanite-belair\"]::after{\n content:none!important;\n display:none!important;\n}\n<\/style>\n\n<script>\n(function(){\n function normalize(value){\n return (value || \"\")\n .toLowerCase()\n .normalize(\"NFD\")\n .replace(\/[\\u0300-\\u036f]\/g,\"\")\n .replace(\/\\s+\/g,\" \")\n .trim();\n }\n\n function repairSaniteBelairLink(){\n document.querySelectorAll(\"#ea-cf-v2 .eacf-related a\").forEach(function(link){\n var label = normalize(link.textContent);\n if(label.indexOf(\"sanite belair\") !== -1){\n link.href = \"\/sanite-belair\/\";\n link.setAttribute(\"data-ea-hero\",\"sanite-belair\");\n link.removeAttribute(\"aria-disabled\");\n link.removeAttribute(\"data-status\");\n link.classList.remove(\"eacf-coming\");\n link.style.pointerEvents = \"auto\";\n link.style.cursor = \"pointer\";\n link.style.opacity = \"1\";\n }\n });\n }\n\n if(document.readyState === \"loading\"){\n document.addEventListener(\"DOMContentLoaded\", repairSaniteBelairLink);\n } else {\n repairSaniteBelairLink();\n }\n})();\n<\/script>\t\t\t\t<\/div>\n\t\t\n<\/div>\n\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Catherine Flon \u2014 Ewo Ayiti Digital Museum Ewo Ayiti Digital Museum \u00b7 Salle des H\u00e9ros Catherine Flon Couturi\u00e8re d\u2019un symbole national La m\u00e9moire nationale ha\u00eftienne retient Catherine Flon comme la femme qui assembla les couleurs r\u00e9volutionnaires. Elle incarne la puissance du savoir-faire, de l\u2019unit\u00e9 et de la participation des femmes \u00e0 la lutte pour l\u2019ind\u00e9pendance. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1659","page","type-page","status-publish","hentry"],"yoast_head":"\n<title>catherine flon - Ewo Ayiti<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ewoayiti.com\/fr\/catherine-flon-2\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"catherine flon - Ewo Ayiti\" \/>\n<meta property=\"og:description\" content=\"Catherine Flon \u2014 Ewo Ayiti Digital Museum Ewo Ayiti Digital Museum \u00b7 Salle des H\u00e9ros Catherine Flon Couturi\u00e8re d\u2019un symbole national La m\u00e9moire nationale ha\u00eftienne retient Catherine Flon comme la femme qui assembla les couleurs r\u00e9volutionnaires. Elle incarne la puissance du savoir-faire, de l\u2019unit\u00e9 et de la participation des femmes \u00e0 la lutte pour l\u2019ind\u00e9pendance. 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Elle incarne la puissance du savoir-faire, de l\u2019unit\u00e9 et de la participation des femmes \u00e0 la lutte pour l\u2019ind\u00e9pendance. 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